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Isaac Feldberg’s 10 Worst Movies Of 2015

I have absolutely no qualms about calling 2015 a pretty great year for cinema. Across the board, Hollywood brought its A-game. Indie-circuit auteurs like David Robert Mitchell (It Follows) and Miroslav Slaboshpitsky (The Tribe) upended genres and created some new ones; big-studio blockbusters like Magic Mike XXL and Star Wars: The Force Awakens betrayed real heart and heft, Pixar returned with a vengeance, most of the requisite remakes were actually good (and some of them - *cough* *cough* Creed *cough* - were downright great), and action cinema in particular flourished like it has during only a few years before, delivering some legendary characters and instantly iconic sequences (and not just in Mad Max: Fury Road).

5) Fifty Shades of Grey

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About as erotic as Gilbert Gottfried’s audiobook recording of the source material, this toothless and tactless “BDSM romance” is a turn-off in every sense of the word.

Dousing any romantic sparks between its two leads (Dakota Johnson and Jamie Dornan, who are somehow expected to survive making at least two more of these) with overbearing pop music and insipid dialogue (“Laters, baby,” anyone?), it’s the result of a tormented production between director Sam Taylor-Johnson and original author EL James (who reportedly dominated the production at every possible opportunity, and not in a sexy way), each of whom set out to make drastically different movies. Unfortunately, neither works.

What’s left is a limp, lifeless Skinemax entry that would irk even that softcore premium network’s hardcore fanbase. Besides, there’s just no escaping how sinister the unhealthy, abusive relationship between Christian Grey (Dornan) and Anastasia Steele (Johnson) really is. Remove Christian’s expensive suits, and he’s just a manipulative creep preying on an innocent, malleable romantic.

Almost as disturbing: that this, the first mainstream Hollywood porno (because pretensions aside, that’s what Fifty Shades is) isn’t even remotely stimulating.