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10 Of The Most Impressive Long Takes In Movie History

Amongst the highest of high praise received so far by Gravity (which I see as well deserved) is that it has the potential to be a game-changer for movies. Reasons for this include its use of sound, a simple storyline for the audience to follow through, subtle but effective characterization, and some of the best use of 3D we have seen to date. One of the chief reasons its action sequences have drawn accolades is its use of what are typically referred to as “long takes,” although the label may not be entirely suitable for this film since rather than the traditional method of having to capture every aspect of a sequence in one continuous go-round, CGI allows for a little more dexterity and precision than the mayhem of getting everything right all at once. The way of achieving this effect, of giving us one long, interrupted shot with no cutting is markedly different, but the effect itself and the degree of difficulty in achieving it are likely quite similar.

[h2]5) Rope[/h2]

Rope

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It was relatively early in his career that Alfred Hitchcock directed Rope; at least it was early enough for any director to be up for all kinds of cinematic experimentation. Granted, one might say that Hitchcock became more adventurous towards the latter stages of his career, such as in the game-changing work that is Psycho, but his most audacious effort might have come in this 1948 film about two friends hosting a dinner party immediately after, for S’s and G’s basically, murdering and hiding the body of a colleague in their apartment. As in, they serve dinner on top of the trunk they hide him in.

The film plays as if it’s done entirely in one shot. This was in 1948, so there were plenty of technical obstacles they had to clear, but for the time this was completely incredible. One of the hurdles came with the capacity of film camera magazines: you could only load about 10 minutes worth of film into a camera to shoot on in one take. So Hitchcock and company had to get creative; they made their best effort, and were rather successful, to hide the necessary cuts they had to make before their film ran out, so they’d zoom in on the black back of a guy’s suit jacket or some other area where they could cut, switch magazines, and then seam the shots together in the editing process. The result is a film that unfolds in real time, 50 years before Jack Bauer came along.

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