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6 Documentaries That Could Change Your Life

Most often, the effect movies have on people are either temporary, lasting as little time as the length of the movie itself, or if they are more enduring, affect us in a way that we’re not entirely aware of. We see how movies and TV can have subtle impacts on the gradual shifts in cultural attitudes towards groups and issues after many years. It’s harder to identify precisely how movies have changed who we are as people, or what we believe and what values we hold dear. Part of this is because most movies deal with these things indirectly, in varied layers of abstraction, and so finding specific linkages between these abstract concepts and precise details of our lives is a nearly impossible feat.

4) In the Realms of the Unreal

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In the Realms of the Unreal

Documentaries can often demonstrate the fact that we’re surrounded by pretty amazing stories all the time. Those who are able to find them and present them to an audience in a fascinating way are nothing short of heroes of narrative. One of the best examples of how ignorant we are to unknown wonders next door is the 2004 documentary In the Realms of the Unreal.

The movie tells the story of Henry Darger. Darger was a janitor during his life, but after his death it was discovered that he had written a 15,000 page novel with hundreds of watercolor illustrations. He lived a sheltered and reclusive life, but created some remarkable art in his private apartment, becoming something of a celebrated eccentric artist posthumously. His stories are from a seemingly simple mind that had little knowledge and experience in the world around him, but detail this complex fantasy world that paint an incredible portrait of the mind of a man that was virtually unknown to anyone, even his neighbors.

The takeaways for me from this movie were numerous, but most prominent were the notions that art is one of the purest forms of expression, especially for those who are unable for one reason or another of expressing themselves verbally to others, and also that the sources of great art come from such unexpected places so often that it might be wise to invert such expectations altogether.