Roger Deakins is the recipient of the vast majority of awards attention directed at Skyfall, and rightly so. He’s long overdue for an Oscar statue; his work has been top tier for the past couple of decades. But Sam Mendes was tasked with righting the 007 ship after the writers’ strike shipwreck that was Quantum of Solace, and he delivered a meditation of obsolescence and relevance of dated tools in a digital era—in the context of a James Bond movie. Who else has managed that before?
Capturing all the classic qualities of a cheeky and exciting Bond film while assigning your movie serious credibility as a work of drama and character study is not easy, and pulling it off with style and grace like Mendes does here is tempting to overlook. He’s been one of my favourite directors for some time and it’s because he’s constantly surprising us with efforts like this one.
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