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10 Of The Very Best Cinematographers Working Today

The paradox of the various departments of film production, whether it’s design, music, photography or others, is that when they’re executed with the highest level of skill they stand out, but they’re not really meant to. Most agree that a movie’s score, for instance, is operating at its best when it is affecting the audience’s response to and understanding of a particular scene or moment in a film but on a completely unconscious level. It’s only afterward, perhaps on repeat viewings, that we notice how beautifully composed the music was throughout, and in particular segments of the movie. If it stands out too much, it can be overbearing, and overly noticeable, and actually distract from the story that we’re supposed to be engaging in.

[h2]7) John Toll[/h2]

Cloud Atlas

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He hasn’t been nearly as prolific in his career as others on this list have been, but John Toll has made his mark on a number of visually striking movies over quite an extended period of time. In a way, he has a way of accomplishing that kind of invisible cinematography that filmmakers like to talk about; he’s not the most well-known name among cinephiles, and yet he has been recognized for his work on movies like Braveheart and Legends of the Fall, as well as working frequently with Cameron Crowe, and two works with highly respected visual storytellers, the Wachowskis and Terrence Malick, in Cloud Atlas and The Thin Red Line, respectively.

He also was one of the people responsible for the initial look of Breaking Bad, which Michael Slovis effectively built upon in making that show the most visually compelling in television history. In fact, Slovis will likely be one of the best cinematographers in all of cinema someday. He certainly is at the top of the pack in television right now. Perhaps he’ll take over for Toll with the Wachowskis one of these days, although I can’t imagine him topping the visual feat of Cloud Atlas anytime soon.

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