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6 Movies To Watch If You’re Feeling Particularly Anti-Disney

From its inception, the Walt Disney Company has been an enterprise rife with contradictions. It’s one of the things that make it so fascinating, to me at least. It’s a part of its early desired identity, a keen interest in entertainment geared toward the young and the young at heart, and the range of emotions therein. Hence, the earliest movies like Snow White and the Seven Dwarfs and Pinocchio followed the fairytale tradition of containing fairly dark elements that existed alongside the pervading sense of magic and wonder. The intentions of engaging children’s imaginations runs deep in Disney history, and designates a significant portion of the studio’s interest in the scary side of imagination as well as the pleasant side. It’s a noble thing to respect the range of imagination that children can exercise, but also fairly creepy.

4) Antz

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Antz

Disney’s biggest animation rival since 1998 has been DreamWorks, whose animation studios released their first feature that year, an unlikely project featuring a lead ant character voiced by Woody Allen. The film also featured a philosophical examination and darker and heavier images and themes that aren’t even associated with animated movies now, let alone in the earliest days of computer animated features. In fact, Toy Story writer Andrew Stanton ended up co-directing A Bug’s Life, a computer animated feature depicting the story of ants, which was released only two months after Antz.

It’s not uncommon for two very similar movies to be made at the same time, but the details about how these projects came to be pursued at their respective studios are curious. Jeffrey Katzenberg was an executive at Disney until he and CEO Michael Eisner fell out, prompting Katzenberg to head up the DreamWorks animation department. It seems too much of a coincidence for Katzenberg to then independently oversee work on an animated movie about an ant when that was precisely what had already been pitched over at Disney. There has to be some overlap, and Disney certainly felt as though their idea was stolen, but Katzenberg denies everything, naturally. If this were The Social Network, though, Katzenberg is Mark Zuckerberg and Eisner and Steve Jobs are the Winklevi. Antz is a vastly superior movie, and was the first to plant its flag. Take that, Mickey.

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