7) Bond Is Once Again A Heartless, Mindless Killer
This one’s a matter of taste, probably, but Skyfall‘s depiction of 007 as a conflicted man out of time, an almost tragic figure lost in the modern day, helped audiences to invest in Sam Mendes’ first Bond.
In Spectre, though there’s an attempt to replicate the personal stakes of Skyfall by revealing Bond was raised along with Christoph Waltz’s villain Franz Oberhauser, the film feels comparatively hollow.
Part of the reason for this is that Craig’s Bond, once a complex, relatable fellow, is now once again the heartless, mindless killer with commitment issues that Connery, Moore et al played. Feeling much sympathy for this guy is near-impossible, and you sense Craig feels the same way, delivering as he does his most stale Bond performance.